Thank you very much Herr Schlattner (or - the planning of a photo shoot)
When you want to do a photo shoot with a person, a “model” as we say and as I really don’t like saying, things are slightly different from going out on the street or into nature. As you have a certain goal you also need to plan the shooting. And that means you need to find a “model”, the right time and of course a suitable place.
I don’t own or rent a studio. (It would be completely useless in my case as I am traveling from Greece to New Zealand to Australia and back. Where would I have my studio then?) So I need to find a place where I can shoot. It turned out that I was very lucky in Osnabrück. Marine, my first “model” knew the owner of a Yoga place in town who was willing to let us shoot at his premises.
But I wanted a second session at a different place. And on my mind I had an industrial place, possible abandoned and in it’s original state. Such a place is really hard to find, particularly if you don’t know the city, it’s environment and the options it gives you.
So I started driving around and I came to an old harbour area where they had started refurbishing storage buildings and halls. Regrettably none of those buildings was in the original state anymore and the ones that I found were already refurbished and turned into relatively small office spaces which where not suitable for a photo shoot.
But then I discovered a large storage hall where the refurbishment works were just on their way. With a little bit of chuzpe I drove into the building site and right in front of me a grey haired chap was walking on the street blocking me from continuing. He actually looked like the foreman of this building site.
So I started talking to him asking him if he knew if the place could be used for a photo shoot. And immediately he said that yes, this would be possible and I could take a look at the hall and decide if it was suitable for my purposes. He came across as a very assertive and cooperative foreman indeed.
We walked around on the site where builders were working and creating a lot of dust. The hall was gorgeous. Approximately 60 meters long, 30 meters wide and at least 10 meters high with large windows all around the top of the walls. A huge photo studio!
I said “yes!”, that place I would love to use. And he told me that I could use it over the weekend when works were interrupted, he just needed to know when exactly because he would need to open the building site for us. He gave me his cell phone number and told me his name. “Schlattner” he grumbled with a typical Austrian accent.
So I contacted Marine, my dancer and we arranged for our shooting for the following Saturday. And Herr Schlattner told me that he would be in his office on the building site the whole day anyway. “Hm”, I was thinking by myself, “a foreman who works at his office the whole weekend?”
So I googled him as soon as I returned back home. And of course I discovered that my assertive foreman was the owner of the building company that was doing the work at that storage hall. And for whatever reason he had a heart for the arts and for a poor photographer. I was really incredibly lucky.
Herr Schlattner, you were very generous and I thank you very much for the wonderful opportunity that you gave us for our photo shoot!